Nisht Azoy, by Black Ox Orkestar

Nisht Azoy

by Black Ox Orkestar

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Cosmographer I have loved this album since it was released, some 15 years ago. Stoked to get it on wax now.

A masterpiece, no words can do it justice. Favorite track: Az Vey Dem Tatn.

Conor Just amazing from start to finish. One of those albums that perfectly fills a hole in my life I didn't know I had. Every track is perfect but "Golem" stands out as the one I keep having linger in my head. Beautiful, haunting, heymish. Favorite track: Golem.

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Includes unlimited streaming of Nisht Azoy via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. ... more

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1.	Bukharian 04:44	buy track
2.	Az Vey Dem Tatn 05:28	buy track
3.	Violin Duet 05:22	buy track
4.	Ikh Ken Tsvey Zayn 05:34	buy track
5.	Ratsekr Grec 04:18	buy track
6.	Tsvey Tabelakh 07:13	buy track
7.	Dobriden 06:49	buy track
8.	Golem 07:21	buy track

about

The second record by Montreal’s Black Ox Orkestar placed the group at the forefront of a ‘new Jewish music’ that rejected contemporary fusion and musty nostalgia in equal measure. With backgrounds in folk, punk-rock and free jazz, the group’s four musicians distilled Balkan, Central Asian, Arabic and Slavic sources into a coherent, impassioned sound that gave teeth to old Jewish songs. Never relying on museum-piece reverence or an obvious, forced collision of musical forms, Black Ox rewrote a Yiddish songbook in ways that sound organically anchored to tradition without being suffocated by it. Nisht Azoy (Not Like This) built dramatically on Black Ox’s debut (Ver Tanzt?), striking a similar balance between vocal and instrumental tunes, but with more intensity, mystery, and a readiness to stretch things out, whether in the incantatory opener “Bukharian” or the clomping crescendos of “Az Vey Dem Tatn” and “Tsvey Tabelakh”. Further upping the ante with greater use of percussion and group singing, the band’s entirely acoustic instrumentation pumps and pulses with explosive energy and emotion. Radwan Moumneh captured the 4-piece band (at Montreal’s (original) Hotel2Tango studio) with a detailed warmth and authority, and a large cast of guest players expanded the group to bona fide orchestral size on “Tsvey Tabelakh”. The slow plaintiveness of vocal songs “Ikh Ken Tsvey Zayn” and “Golem” rank among the group’s most spine-tingling, mesmerising moments. “Ratsekr Grec” summons a Balkan dance rhythm in one of the album’s more overtly traditional arrangements, adding a flurry of colliding horns down the home stretch. Taken as a whole, the cycle of songs on Nisht Azoy further opened up a world, inspired by Jewish diasporic culture and politics, that challenged conventional appropriations and forged music that is highly original, deeply felt and very much alive.

As the band wrote: “Nisht Azoy is the melancholy and uncompromising sound of our mongrel music splitting at the seams, the boat creaking as we drag our friends on board. As we sing in Tsvey Taybelakh: ‘When you come to a strange city, my love / Think of my words / When you come to deep waters, my love / You will not drown in sorrow / When you come to great fires, my love / You will not be burnt in sorrow.’”

credits

released May 1, 2006

PERSONNEL
Thierry Amar: contrabass
Scott Gilmore Levine: mandolin, cymbalom, guitar, saz, violin, percussion, voice
Gabe Levine: clarinet, guitar
Jessica Moss: violin

GUESTS
Brian Lipson: trumpet on TRACK 5
Pierre-Guy Blanchard: drums on TRACKS 5, 6, 7
Tom Bernier, Nicolas Caloia, Noah Laser Cannon, Brooke Crouser, Will Eizlini, Beckie Foon, Eric Gingras, Gen Heistek, Eric LaRocque, Eric Lewis, Brian Lipson, Nikko Snyder, Sophie Trudeau (the Two Doves Friendship Band): various instruments on TRACK 6

Recorded at the Hotel2Tango in Montreal by Radwan Moumneh with Thierry Amar, summer 2005. TRACKS 2 and 4 recorded by Howard Bilerman, summer 2004. Mixed by Radwan and Black Ox at the Hotel2Tango. Mastered at Grey Market by Harris Newman.

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about

Black Ox Orkestar Montreal, Québec

Black Ox Orkestar plays modern Jewish diasporic music that draws from Klezmer, Romani, Arabic, Balkan and other Eastern European folkways, through the lens of indie rock, experimental folk and avant-jazz sensibilities. The band combines interpretations of instrumental traditionals with original compositions sung primarily in Yiddish. Formed in 2000 in Montréal, disbanded in 2006, reunited in 2021. ... more

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